Related Paintings of unknow artist :. | Peaceful city | Procession of Canons | Vera Nilsson solen | Floral, beautiful classical still life of flowers.108 | Self portrait |
Related Artists:
Kuhn Walt
American cartoonist and painter, 1877-1949 was an American painter and was an organizer of the modern art Armory Show of 1913, which was the first of its genre in America. Kuhn was born in Brooklyn, New York City. At 15, Kuhn sold his first drawings to a magazine and signed his name ??Walt.?? In 1893, he enrolled in art classes at the Brooklyn Polytechnic Institute. In 1899, Kuhn set out for California with only $60 in his pocket. Upon his arriving in San Francisco, he became an illustrator for WASP Magazine. In 1901, Walt left for Paris, where he briefly studied art at the Acad??mie Colarossi before leaving to the Royal Academy in Munich. Once in the capital of Bavaria, he studied under Heinrich von Zugel (1850-1941), a member of the Barbizon School. In 1903, he returned to New York and was employed as an illustrator for local journals. In 1905, he held his first exhibition at the Salmagundi Club, establishing himself as both a cartoonist and a serious painter. In this same year, he completed his first illustrations for LIFE magazine. When the New York School of Art moved to Fort Lee, NJ in the summer of 1908, Kuhn joined the faculty.
PESELLINO
Italian Early Renaissance Painter, 1422-1457 Italian painter. According to the catasto (land registry declaration) return of his grandfather PESELLO, Francesco di Stefano was five years old in 1427. He was the son of the painter Stefano di Francesco (d 1427), who married Pesello's eldest daughter. By the early 1440s, perhaps after initial training in his grandfather's workshop on the Corso degli Adimari, Florence, Pesellino appears to have joined Fra Filippo Lippi's workshop. He may have been the 'Franciesco di Stefano pittore' who enrolled in the Compagnia di S Luca in 1447. In August 1453 Pesellino went into partnership with Piero di Lorenzo di Pratese (d 1487) and Zanobi di Migliore, and numerous replicas of popular Virgin and Child compositions by Pesellino
Giovanni Battista Piazzetta
(also called Giambattista Piazzetta or Giambattista Valentino Piazzetta) (February 13, 1682 or 1683 ?C April 28, 1754) was an Italian rococo painter of religious subjects and genre scenes. Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703-05, although there is no record by Crespi of formal tutelage. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Caravaggio was transformed into an idiom of graceful charm. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half-century earlier, Guercino. Around 1710, he returned to Venice. There he won recognition as a leading artist despite his limited output and his unassuming nature, but he ultimately was less patronized, both in Venice and especially abroad, than two other eminent stars in Venetian late-Baroque/Rococo, Ricci and Tiepolo. These two painters had a luminous palette and facile ease that allowed them to carpet meters of ceiling with frescoes, although with a superficiality and glamor that is absent from Piazzetta's darker and more intimate depictions. Nonetheless,Tiepolo, who collaborated with Piazzetta on some projects, was greatly influenced by the older artist; in turn, the luminosity and brilliance of Tiepolo's palette would influence Piazzetta in his later years. Piazzetta created an art of warm, rich color and a mysterious poetry. He often depicted peasantry, even if often in a grand fashion. He was highly original in the intensity of color he sometimes used in his shadows, and in the otherworldly quality he gave to the light which throws part of a composition into relief. The gestures and glances of his protagonists hint at unseen dramas, as in one of his best-known paintings, The Soothsayer(1740, now in Gallerie dell'Accademia, Venice). He brought similar elusiveness to works of a religious nature, such as the Sotto in su Glory of St. Dominic in the Church of Santi Giovanni e Paolo. Also notable are his many carefully rendered drawings of half-length figures or groups of heads. Usually in charcoal or black chalk with white heightening on gray paper, these are filled with the same spirit that animates his paintings, and were purchased by collectors as independent works. He also produced engravings. In 1750 Piazzetta became the first director of the newly founded Scuola di Nudo, and he devoted himself in the last few years of his life to teaching. He was elected a member of the Bolognese Accademia Clementina in 1727. Among the painters in his studio were Domenico Maggiotto, Francesco Dagiu (il Capella), John Henry Tischbien the Elder, Egidio Dall'Oglio, and Antonio Marinetti.[1] Among younger painters who emulated his style are Giulia Lama, Federico Bencovich, and Francesco Polazzo (1683?C1753). He died in Venice in 1754.